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Some emo/love poems


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#1 Karias

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Posted 27 April 2010 - 14:22

Yeah.. here they are

LOVE

"Love is Bloodlust, Love is Violent
Love is Danger, Love is Anger
Love is Sadness, Love is Darkness.
Love is Addicting, Love is Betrayal
Love is Happiness, Love is Joy
Love is an action undefined,
Till the end of time.
Love,
Karias"

STEPS

"STEPS
Stupid,
To the one that hates me
Elegance,
Perhaps for her
Stepping down the steps
By Karias"

NEGLECTED
"I don't want to lose you now,
I don't want to say goodbye.
I never wanted to tell you this,
But time has passed so fast.

I treated you with care,
I treated you with felicity.
I never wanted to tell you this,
But you always were away.

I need you by my side,
I need you in my heart.
I never wanted to tell you this,
I have always loved you.

For you have neglected me,
and left your sins unpunished.

by Karias"

Yeah, thats all. I have more but i'm lazy to go and dig my school bag (i wrote these at schl) for more :sly: They may seem totally weird or impossible to understand to you all. But it actually holds a deeper meaning. "Love" and "Nelected" was written for my friends due to their love problems. "Steps" was actually for me. Cookies to those who can figure out what "Steps" meant D:D
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#2 Kalo

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Posted 30 April 2010 - 05:03

View PostKarias, on 27 Apr 2010, 15:22, said:


STEPS

"STEPS
Stupid,
To the one that hates me
Elegance,
Perhaps for her
Stepping down the steps
By Karias"


I liked this one, a lot, nice job Karias.
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#3 Shirou

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Posted 01 May 2010 - 10:21

I also preferred the second one. One little point: To the one that hates me. Going by this is a person, you should use who. It's a very nice short, closing on the magic of a good Haiku while not being one. On the first, if you are not goint to (primarily) make it rhyme then the best thing for this format would be to exhibit the constrast in every line except in two different sections. Now, the actual rhyming words are the only ones really getting through.

The third one follows a clear pattern, one I also know very much. The subject is cliché, or rather the way it is expressed. Yet I can feel the pain of the writer or the reader who it was meant for. I don't think I want to view that as a product meant to be artistic poetry, rather a writing of a lovestruck teenager. I have been there too many times myself anyway, to know one shouldn't judge such quibbles in any way. Abstract creativity often gets replaced by the same clarity of words that is so common in human beings.

Edited by Trivmvirate, 01 May 2010 - 10:40.

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#4 NOPE

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Posted 14 May 2010 - 06:44

Here's some general advice. I hope I don't come off as egotistical for using my own writing in examples. I am mediocre at best when it comes to my own writing, but I do know what I'm talking about.
I could give a line-by-line but I think you should work from this first.


First off, the goal of poetry is to convey your feelings to your reader. You implied that you thought "Steps" isn't easily understood. While there is a difference between something not being understood because the readers can't be bothered to try and understand it and the meaning of something being so obscure that even someone who ponders it thoroughly would be clueless, keep in mind that you should be giving the reader everything they need to follow your train of thought. Cliches lose their meaning because of how overused they are. Try to avoid overused phrases or words - try to find unconventional ways to express things.
Use poetic devices. These are essential to a piece of poetry - poetry without poetic devices is technically just prose. Metaphor and imagery are both particularly important in poetry. Avoid telling the reader directly how you feel; instead, give them a situation to relate to. ("Show, don't tell.") For instance, instead of saying you're upset you could say why you're upset. I advise avoiding words that directly pertain to your emotions. (I'd suggest reading this. It's more related to prose than poetry but the two are similar in this aspect: http://users.wirefir...tritt/tip1.html)
Repetition can add to a poem or detract from it. If you intend to repeat a phrase, it ought to be something strong enough to deserve the attention you're giving it. Keep in mind that sounding pretty comes second to effectively conveying your feelings when you're writing.
On that note, focus on your word choice. I never paid that much attention to my word choice until lately, and with my most recent writing I've made a point to do a thorough edit where I'll revise pretty much every adjective or verb in the writing. Avoiding conventional or practical words can strengthen your writing. For instance, in one of my somewhat recent poems (recent is a few months for me, really) I was comparing love to drowning. Rather than simply saying "drowning", I described the act of drowning like so:

Quote

but I've heard that these waves
are like quicksand:
they'll cuff your wrists
and walk on top of you, a careening ceiling
that will tear out your humanity
and stomp it into your face.

Through my imagery and word choice, I was able to compare love to drowning while also suggesting that love is apathetic to your own feelings and will relentlessly harm you: it isn't something you can walk away from unscathed.
Moving on - keep in mind that line breaks are only line breaks. They don't imply punctuation and they aren't the ends of phrases. When you're writing poetry, you should be able to remove all the line breaks and it will still read grammatically correctly. You don't need to capitalize the first letter of every line, or put a comma at the end of every line. Generally, your writing should be in complete sentences. (There are exceptions to this.) When it comes to punctuation, writers generally choose between all or nothing. If you're going to use commas, use periods and all other necessary punctuation as well. If not, don't use any punctuation. This is a stylistic choice - however, keep in mind that you have to know the rules before you're permitted to break them.

Lastly: the most important aspects of writing are the subtleties and fine details. You shouldn't be shouting everything you want your reader to know - you should give them just enough information so that your writing would require thought and rereading to understand. I like being able to continue to ponder a piece of writing or art after viewing it and know that there's more to the piece of artwork than what's explicitly stated.

I think I've already written far too much in this post - if you'd ever like my advice on anything then I'd be more than happy to help. I think I enjoy critique and helping others about as much as I enjoy writing myself.

Edited by Guy Mannly, 17 May 2010 - 22:51.

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